Submit your contribution
HERE
If you're interested in working with us or have written a text on a related subject, or had an interview with an artist you think might be a discovery for us, you can send it to us for a publication review.
Submit your inquieries
HERE
We're a team of eight artists, curators and critics with a broader network of art professionals on the post-soviet, post-communist and diasporic spaces. With our ability to grasp, to describe and to invert the sensable, we might be your best collaborator.
Subscribe to our newsletter
HERE

How to contact us

Mission

 

TransitoryWhite is a journal of overlapping, multi-voiced accounts documenting peripheral artistic productions.

The project was launched in 2017 by a group of curators, art specialists and artists from Eastern Europe, Caucasus and Central Asia living in Berlin/Vienna. 

We aimed to create an intersectional platform for discussing decolonization, post-neoliberalism trauma and the possibility of dispersive views on the so-called post-communist territories.

Since 2019, the platform has also operated in the trajectories of migrant and post-displacement discourse, expanding its activities from the geographical pole "East" to the global. In response to the growing nationalistic discourse, it is crucial for our investigation to represent artists and theorists with different identities and ideas for the future. In this way, TransitoryWhite emphasizes the productive interaction between different multitudes rather than dualities. 

TransitoryWhite understands whiteness as a metaphor for colonialism, or as a white, self-contained exhibition space where the hierarchy of discourses and images is prejudiced. Instead, we turn to the idea of White Noise; a signal or constant disturbance, something cacophonic, turbulent and restless which fluctuates and transforms our perspectives.

Contributors

Laura Arena

Laura Arena is a Level 3 Reiki practitioner certified and licensed in the state of New York. She's a graduate of the Art of Energetic Healing School located in Manhattan with spiritual teacher and master healer Suzy Meszoly. Next to being a Level 3 Reiki practitioner, Laura is a multidisciplinary artist, activist, designer, and curator based in Brooklyn, New York. Arena’s work encompasses photography, video, installation, writing, and social interventions with a focus on storytelling, human rights causes, gameplay, race, and identity. She has exhibited in galleries and festivals worldwide and has participated in events in North America, Europe, and the Middle East. Arena has attended residencies and workshops in Greenland, Iceland, Romania, Hungary, Palestine, Turkey, and the United States. 

In 2021 she will be mapping the Chakras of Berlin as an artist in resident at Z/KU (Center for Art and Urbanistics).

Read her article: CHAKRAS OF TBILISI

Mariya Dmitrieva

Mariya Dmitrieva is an artist, independent curator, and cyberfeminist. She is a co-organiser of Studiya 4413 in St. Petersburg, Russia, a self-regulated, artist/activist-run platform functioning as an intersection of diverse social strata, queer-crip optics, artistic mediums, contemporary critical thinking, and adequate political action; Maria is a member of N i i c h e g o d e l a t ‘ (Donoothing), a network of flickering, horizontal laboratories of political imagination researching and redescribing ideas around work ethic, machine vs human relations, and connectivity between utopian and real, and initiator of Free mapping project, a digital platform calibrating alternative culture-political landscape of self-organised liberal associations/projects, and coordinator of p2p&hackercare, a translocal agency.

Read her articles: TRANSBOUNDRY MIGRATION OF CARE: PANDEMIA AFTER 8TH OF MARCH (EN), ТРАНСГРАНИЧНАЯ МИГРАЦИЯ ЗАБОТЫ: ПАНДЕМИЯ ПОСЛЕ 8 МАРТА (RU)

Ina Hildebrandt

Ina Hildebrandt is an art historian and cultural journalist.

Read her articles and interviews: ON THE LOOP

Ivan Isaev

Ivan Isaev is an independent curator, based in Moscow. He curated platform Start, Winzavod, season 2014-15, and “Leaving Tomorrow” exhibition (2015, Moscow), participated at Infra-Curatorial Platform at 11th Shanghai Biennale (2016). He is a co-founder of «Triangle» curatorial studio (Moscow, 2014-2016) and later initiated platform blind_spot. Ivan Isaev is now a curator of Garage Studios program at Garage MCA, Moscow.

Read his article: THE LAST SPARKS

Anna Kamay

Anna Kamay is an independent curator and cultural manager hailing from Yerevan, Armenia. Anna organizes community-based art projects with the goal of using public space and art to meet local needs and manages Nest Artist Residency and Community Center at the Institute of Contemporary Art in Yerevan.

Read her article: JUGGLING DINOSAURS, 2019 CURATOR'S CHOICE, (IT WOULD BE) NICE TO MEET YOU, TOO

Victoria Kravtsova

Victoria Kravtsova has studied International Relations in St. Petersburg and Berlin. In Berlin she is active in NGO projects in Eastern Europe, co-organizing seminars and exchange programs in the fields of environment, human rights, gender equality and civic education. Victoria receives a scholarship from Heinrich Böll Foundation and is engaged in writing her thesis “Between the ‘posts’, out of the void” where she traces the travels of the contemporary feminist discourses to and from Central Asia.

Read her articles and interviews: EMBRACE YOUR ANTITHESIS, WANDERING POETICS OF CENTRAL ASIAN MESTIZAS, WHERE THE ROSES GROW, Interview with Madina Tlostanova Part I and Part II, БУМЕРАНГ КОЛОНИЗАЦИИ

Melikset Panosian

Melikset Panosian is a writer and translator from Gyumri, Armenia. He participated in artistic projects focusing on the troubled past of Gyumri, borders, conflicts and consequent traumas since 2012. Panosian contributed to a number of literary magazines in Armenia such as Queering Yerevan, Gretert and Yeghegan Pogh. He also participated in the translation of Hannah Arendt’s “We refugees” into the Armenian language. Melikset Panosian’s published works include art book “Out In Head” (2012), “Silent Stroll”, a novella he authored in 2014, and the Armenian translation of Kardash Onnig’s “Savage Chic: A Fool's Chronicle of the Caucasus” published in 2017.

Read his article: (IT WOULD BE) NICE TO MEET YOU, TOO

Leah Peirce

Leah Peirce (b. 2002 in Berlin, Germany) is a Berlin-based poet, with Georgian and English background.  She works with words, sound, images and performative art. Her multilingual poems explore the fluidity of languages, the barriers they bear, how language holds culture and visa versa.

Read her poetry: LEAH PEIRCE

Daria Prydybailo

Daria Prydybailo is a curator, researcher, founder of the TRSHCHN platform and co-founder of the NGO Art Matters Ukraine.

Read her article: 2019 CURATOR'S CHOICE, ВАГІТНІ РЕВОЛЮЦІЄЮ, ВЗАЄМОПОВ'ЯЗАНІ ТА ВЗАЄМОЗАЛЕЖНІ

Thibaut de Ruyter

Saltanat Shoshanova

Saltanat Shoshanova is currently pursuing her Master's degree in History of Arts at the Free University Berlin. Her research interests include art in connection to queer and feminist theory, queer migration, decoloniality and post-Soviet space. She is an activist and co-organized several queer feminist conferences in Vienna and Berlin.

Read her article: ON LANGUAGE OF SUPREMACY: MEDINA BAZARGALI IN CONVERSATION, 2019 CURATOR'S CHOICE, ÜBER SPRACHE DER VORHERRSCHAFT: GESPRÄCH MIT MEDINA BAZARGALI (DE)

Julia Sorokina

Yuliya Sorokina is freelance curator of contemporary art, lecturer, tutor, author of texts, lives and works in Almaty, Kazakhstan. 

Read her article: 2019 CURATOR'S CHOICE

Antonina Stebur

Antonina Stebur is a curator and researcher. She studied visual and cultural sciences at the European Humanities University (Vilnius, Lithuania) and at the School of Engaged Art of the art group "Chto Delat? (Saint Petersburg, Russia). She is a member of the artist group #damaudobnayavbytu ("Woman comfortable in everyday life"), which examines the feminist agenda in the Russian and Belarusian context. She has curated a number of exhibitions in Belarus, Russia, Poland, France and China. Her research areas and curatorial interests are: community, re-composition of everyday practices, feminist critique, new sensibility, grassroots initiatives.

Read her articles: ICH LIEBE DICH!, ANOTHER PRODUCTION DRAMA, МЫ СЁННЯ ЗНАХОДЗІМСЯ Ў ІНШАЙ ВЫТВОРЧАЙ ДРАМЕ, 2019 CURATOR'S CHOICE

Annika Terwey

Annika Terwey is a German-Italian new media designer & artist. She studied visual communication at the Berlin University of the Arts and graduated from the new media class. In her work, she is exploring new forms of communication through interaction design, video installation and exhibitions. Her interest range from environmental science, new technologies and human perception.

Read her article: ON LANGUAGE OF SUPREMACY: MEDINA BAZARGALI IN CONVERSATION, ÜBER SPRACHE DER VORHERRSCHAFT: GESPRÄCH MIT MEDINA BAZARGALI (DE)

Alex Ulko

Alexey Ulko was born in Samarkand (Uzbekistan) in 1969. After graduating form Samarkand University with a diploma in English he obtained an MEd TTELT degree from the University of St Mark and St John (UK). Since 2003 he has been working as a freelance consultant in English, Culture Studies and Art for various cultural organisations. Has been making experimental films since 2007 and is an active writer about Central Asian contemporary art. His current artistic interests: experimental cinema, photography, visual poetry. Member of the European Society for Central Asian Studies, the Association of Art Historians (UK) and the Central Eurasian Studies Society (USA).

Read his article: 2019 CURATOR'S CHOICE, THE SHIFT OF THE PARADIGM IN MODERN CENTRAL ASIAN ART, THE OTHER EAST

Lolisanam Ulug

Lola Ulugova (Lolisanam) has been an activist in Tajikistan since 2000.  She was the founding director of Tajik Bio-Cultural Initiatives a non-governmental organization dedicated to Tajik arts and environmental issues. In 2013, she wrote and produced the nation's first 3-D animation film, a short designed to promote awareness of environmental issues among children. Previously, she has produced several cultural DVDs archiving Tajik dance and biocultural diversity; was a Field Production Manager on the documentary Buzkashi! By Najeeb Mirza (Canada); from 1999-2005 was the manager of Gurminj Museum. She holds a Master’s degree from the University of Turin, Italy and an undergraduate degree in Russian Language and Literature. She was a Global Cultural Fellow at the Institute for International Cultural Relations of the University of Edinburgh in 2017-18 and participated in Central Asian-Azerbaijan (CAAFP) fellowship program at the George Washington University at Elliott School of International affairs in 2019.

Read her article: 2019 CURATOR'S CHOICE, NUDE ART AS A MIRROR OF SOCIETY

Katharina Wiedlack

Katharina Wiedlack is a Post-Doctoral Research Fellow at the Department of English and American Studies, Humboldt University Berlin. Her research fields are primarily queer and feminist theory, popular culture, postsocialist, decolonial and disability studies. Currently, she is working on a research project focused on the construction of Russia, LGBTIQ+ issues and dis/ability within Western media. http://katharinawiedlack.com

Read her article: IT IS MORE IMPORTANT TO MAKE FILMS QUEERLY THAN TO MAKE QUEER FILMS

Олексій Кучанський

Олексій Кучанський - дослідник і критик експериментального кіно та відео-мистецтва, есеїст. Живе і працює у Києві. Цікавиться політиками комунікативного експериментування, екософією Ф. Ґваттарі, не-есенціалістською екологічною теорією, постгуманістичним фемінізмом, процесуально-орієнтованою філософією. Колишній учасник активістської ініціативи Occupy Kyiv Cinemas - руху проти комерціалізації і знищення комунальних кінотеатрів Києва. Співавтор художнього проекту komaxa. щоденник резистентності - лабораторії молекулярного страйку в умовах цифрової праці.

Читайте його статтю: КАМУФЛЯЖ. ПЕДАГОГІКА КСЕНОФІЛІЇ

 

Kundry Reif

Kundry Reif is an aspiring curator, artist and cultural sciences academic.

Read her articles: I am not toilet paper, ARTISTS FROM CENTRAL ASIA (EDITORS PICK)

People

Ina Hildebrandt

Ina Hildebrandt is an art historian and cultural journalist. Born in Kazakhstan, she grew up as a so-called Russian-German in the south of Germany. After spending years of total assimilation she developed a strong interest in her cultural roots. Several long travels and stays took her to Easter-Europe over Russia to Central-Asia. Thereby she started to focus more on those regions also as art historian and journalist. She lives and works in Berlin. 

Tamara Khasanova

Tamara Khasanova is an emerging art professional and aspiring young curator. Born in Ukraine into a Ukrainian-Uzbek family, and later moving to the UK and the US early in life, she was exposed to various social dynamics while perceiving everything through the lens of her cultural legacy. This experience led her to question ideas surrounding cultural hegemony, national identity, and globalisation in the context of Post-Socialist states. In her professional and academic practice, she is concerned with a lack of representation of Eastern European and Central Asian regions on a large scale and committed to developing a sustainable dialogue between parts of the world so dear to her heart. Currently, she is doing a Post-Baccalaureate Diploma in Studio Art in San Francisco, CA. She starts her M.A. program in Curatorial Practice at the School of Visual Arts, New York this Fall.

Ira Konyukhova

Ira Konyukhova is an artist, writer and instagram feminist activist. She studied Physics in Moscow and fine art in Mainz, Reykjavik and Media Art and Media Theory at Karlsruhe University of Arts and Design (HFG), which she finished with diploma in 2017. In her practice, she explores the connection between female sexuality, pop-resilience and colonial technological practices which are embodied mainly but not only in video, sculpture and installation. Her works have been presented on various international festivals and exhibitions, including DocLisboa, Athens Biennale, Teneriffa Espacio del Arte, Exground Film Festival e.t. Konyukhova was a grantee of Rhineland-Palatinate Media and Film Promotion Prize, BS Projects Residence Program as well ifa travel grant.

Pavel Metelitsyn

Pavel Metelitsyn is a software engineer and developer focusing on interactive data presentation, user interfaces and web technologies. He is driven by the idea of making the information more accessible through interactivity and gamification. Working together with creative agencies he implemented interactive multimedia stations for Neues Historisches Museum, Frankfurt/Main, made a kiosk app for a permanent exhibition at Deutsche Nationalbibliothek, Frankfurt/Main. Besides that, he works with a wide range of clients from FinTech Startups to national research institutions, helping them to collect, process and present the business information. Pavel holds an M.Sc. in Mathematics.

Daria Prydybailo

Daria Prydybailo is a curator, researcher, founder of the TRSHCHN platform and co-founder of the NGO Art Matters Ukraine. Her background includes +7 years in leading cultural institutions of Ukraine such as National museum complex Art Arsenal and CCA PinchukArtCentre, as well as independent curatorial practice with a strong focus on the body in contemporary art, sensual turn, sound art, and in-situ projects. She worked on large-scale international projects such as International forum Art Kyiv, the First Kyiv Biennale of contemporary art ARSENALE 2012, and Ukrainian Pavilion at the 55th Venice Biennale. During 2013-2015 she curated online-platform & collective of artists, curators and writers  (wo)manorial, who contemplate the ever-changing concept of femininity. Her latest research is focused on love and intimacy in the context of emotional capitalism. Originally from Kyiv currently she lives and works in Berlin. 

Sascia Reibel

Sascia Reibel is a graphic and product designer. Her focus lays on printed matter, especially books and posters, with a strong dedication for typography. She engages in projects within the field of culture, art, and education. She studies communication design at the University of Art and Design Karlsruhe and has also studied in the design master program of the Central Academy of Fine Arts in Beijing, China. Her work has been honoured with several awards, including «Most Beautiful Swiss Books», «Most Beautiful Books from all over the world», «Bronze Nail, ADC», as well as the «Badge of Typographic Excellence, TDC New York.

Willi Reinecke

Willi Reinecke is a film director, writer, and researcher on Lev Vygotsky's Psychology of Art at the Institute for East European Studies (Freie Universität Berlin). He is teaching at Szondi-Institute for Comparative Literature and Institute for East European Studies. He worked as assistant director of the documentary film "Familienleben" which premiered at Berlinale 2018. The film was nominated for German Documentary Film Award and was awarded prizes at Saratov Sufferings Festival (RU) and Neisse Filmfestival (GER). He's currently working on documentary films for Institute of Contemporary Art Yerevan and Deutsche Gesellschaft e.V.

Thibaut de Ruyter

Thibaut de Ruyter is a French architect, curator and critic who lives and works in Berlin since 2001. In the last ten years, he has organized exhibitions at Kunstmuseum Bochum, Museum Kunstpalais Düsseldorf, Museum of Applied Arts in Frankfurt, HMKV in Dortmund, EIGEN + ART Lab and CTM in Berlin, Muzeum Sztuki in Łódź and CRP/ in Douchy-les -Mines. One of his latest projects is a travelling exhibition co-curated with Inke Arns for the Goethe-Institut: « The Border », that calls into question the dividing line between Asia and Europe in the former Soviet states. Since 2017 this exhibition was exhibited in St Petersburg, Moscow, Tashkent, Almaty, Krasnoyarsk (u.A.) and ended its trip in Erevan in 2019. His areas of interest range from new media to spiritism via "exhibitions that are not exhibitions". Most of his projects are related to everyday, pop or underground culture. He has been the German correspondent for the French magazine artpress since 2003.

You are looking for: Marifat Davlatova  

29th January 2020

2019 Curator's choice

article

en
Без названия, тушь, фломастеры, 2020
Дарья Апахончич
Без названия, тушь, фломастеры, 2020
Дарья Апахончич
Без названия, тушь, фломастеры, 2020
Дарья Апахончич

День имеет право на конец

Вика Кравцова

8th September 2020

На волне протестов за сестер Хачатурян, за Юлию Цветкову и беларуских женщин против государственного насилия и нечестных выборов стало понятно, что либеральный феминизм может прекрасно уживаться с консервативной повесткой, прокламируя права женщин в первую очередь во включение в цикл самоотчуждения, а никак не их освобождение. Реклама прокладок рядом с рекламой шин, украшенных женщиной, назначения женщин министрами и отсутствие законодательного уравнивания зарплат, "ты слишком зажатая" от тех же людей, которые  "куда ты так разоделась". Женское в обществе с фасадным плюрализмом всегда немного ущербное. Стихотворения Виктории Кравцовой как неприглядные родимые пятна на теле капитализма.

 

 

жидкое тёмное липкое

тщеславие его у меня совсем нет я просто не знаю говорили ли об этом и когда и как о да конечно ты хочешь быть первой но не упоминайте меня я хочу быть первой неупомянутой 

в 21 я узнала что гетеросексуальность можно воспитать

в 22 я узнала что родилась в империи и это проблема 

в 23 я узнала что то почему мы не понимаем друг друга называется классом 

в 24 я узнала что начало узнавания себя может не произойти вообще или произойти слишком поздно

у меня воз привилегий меня воспитывал отец я выросла в полной семье мы могли себе позволить поездки за границу я должна быть вечно благодарной

я не из класса думай и жди я из класса не верь не бойся не проси побольше урви хватай и беги

теперь я прочитала я могу сказать но помню как не могла ни сказать ни понять 

теперь я морализаторка мне кажется я умная 

я не вижу других я вижу только себя что ты думаешь куда пойти майонез или кетчуп почему я должна знать терияки или соевый соус я ненавижу 

жидкое тёмное липкое

Без названия, тушь, фломастеры, 2020
Дарья Апахончич

 

***

 

щекочет нервы

грядущий пир

сочность клеток

замещает жир

оболочка проницаема

ткань и вода

рвется мембрана

проходит еда

слизь кровь и пот

желчь кислот

рвота и сера

моча и кал

ногти в желудке

человек - каннибал

трогая клитор

метался стонал

над мышцами трясся

холодец живота

в лимбических центрах

вращалась еда

синтетический аналог

само-ощущений

компенсаторный привод

взаимо-отношений

вина и слабость

кашель сигарет

отсрочка воли

винно-водочный бред

по нервным цепочкам

анатомический поезд

нуклеиновый синтез

диализ липолиз

я больше машины

я машина из мяса

слезами излиться

в рвотную массу

не нужно бояться

прорех пищевода

воспитывай твердость

в стремленьи к исходу

закройся глазами

подёргай рукой

и дай оболочке

сравняться с средой

сырьём обернувшись

на гумусный пир

смотри на себя:

под плёнкой сознания

под маской страдания

под машиной желания

лишь гной, кал и жир

Без названия, тушь, фломастеры, 2020
Дарья Апахончич

 

***

 

Я подумала что надо описать как по вечерам я не могу лечь спать

Как не могу себе признаться

что день имеет право на конец

Я подумала что надо описать как я каждый день не знаю где закончить есть

Чтобы закончить завожу часы

на пять минут

Тик

Так 

как любое что я ем выходит больше чем есть у других

Больше чем нужно этому телу 

чтобы поддерживать себя

Тик

Так 

как пустота тарелки на моем столе

Не восполнит пустоту и полноту других

тех

на которых вечно пусто

и тех

еда с которых догниёт в ведре

Я подумала, что глупо будет описать

Тик 

так

как спать выходит только

провалившись в ад

где лёгкие гниют вместе с желудком

давая мозгу ненадолго облегчиться он так рад

Минут на пять

Тик

Так 

как потом приходит невозможность становления собой

в скользящем наборе временных единиц

когда я приняла в себя еду и не приняла в себя покой

когда я не вернула себе тело без органов тело в становлении женщиной

каждого пола

женщиной машиной с молекулярными толстыми ляжками

Я не ношу часов и мало сплю



 

Вика Кравцова изучала международные отношения в Санкт-Петербурге и Берлине, защитила диссертацию под названием "Making sense of feminism and decolonization in Bishkek and Almaty". В данный момент работает в НПО, руководит проектом поддержки феминистких активисток в Германии и странах бывшего СССР.

 

Иллюстрации: Дарья Апахончич - художница, кураторка из Санкт-Петербурга.

Subscribe to our newsletter