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We're a team of eight artists, curators and critics with a broader network of art professionals on the post-soviet, post-communist and diasporic spaces. With our ability to grasp, to describe and to invert the sensable, we might be your best collaborator.

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TransitoryWhite is an online platform for the connectivity of intersected discourses of local, regional, and global perspectives on art, design and activism. TransitoryWhite is about contemporary art from the blind spots (“white spots”) from Central Asia, Caucasus and Eastern Europe.
Despite the territories heterogeneous cultural, historical and religious diversity, the respective countries share a fundamental experience of a realised utopia, which lasted over more than 70 years. In the turbulent time of the 20th century, the political events taking place were differing from those in Europe, which also resulted in an original set of cultural and aesthetic questions. The uniqueness of these questions was underlined by the particular term “Post-Soviet” which was coined to describe the political, economic and artistic transition from the communist regime to the democratic states. While we don’t deny that the initial generalisation was making sense, we claim for the new discussions and discourses for the art from these regions which are not tied by the restrains of its brand. We would love to show video art, bio art, art on the edge of science, communal projects, feminist initiatives, new media performances and much more on our platform and give the possibility for discovering the transnational connections and influences of the artists from these countries. Apart from that, we aim to translate and to publish the new and old texts written by the local art historians, art theoreticians and curators, which are usually expelled from the contemporary art discourse.
Crucial to our investigation of those regions is furthermore, the representation of artists and theoreticians from any ethnic, religious, sexual and even political minorities as an opposition to the accumulating national discourse. We’re dedicated to exploring any transnational networks as well as limits of connection within and on the borders.
TransitoryWhite is the White Noise of the post-post-Soviet, a constant disturbance, a random signal, cacophony, turbulence, restlessness, which - contrary to the musical White Noise - is not constant, but is in fluctuation and transition.


Victoria Kravtsova

Ira Konyukhova

Thibaut de Ruyter

Asli Samadova

Antonina Stebur

Alex Ulko

Katharina Wiedlack


Ina Hildebrandt

Ina Hildebrandt is an art historian and cultural journalist. Born in Kazakhstan, she grew up as a so-called Russian-German in the south of Germany. After spending years of total assimilation she developed a strong interest in her cultural roots. Several long travels and stays took her to Easter-Europe over Russia to Central-Asia. Thereby she started to focus more on those regions also as art historian and journalist. She lives and works in Berlin. 

Irina Konyukhova

Ira Konyukhova is an artist, writer, curator, feminist activist and the founder of TransitoryWhite. In her practice, she explores the connection between female sexuality, pop-resilience, death as well as colonial technological practices. As an artist, her works have been presented on various international festivals and exhibitions, including DocLisboa, Athens Biennale, Teneriffa Espacio del Arte, Exground Film Festival e.t. Her latest article on the early 2000s Russian lesbian stars T.a.T.u. And their influence on queer politics has been recently published by Pop-Zeitschrift by University Siegen. Ira was a grantee of BS Projects Artist-in-Residence scholarship Programm and lives and works in Berlin.

Pavel Metelitsyn

Pavel Metelitsyn is a software engineer and developer focusing on interactive data presentation, user interfaces and web technologies. He is driven by the idea of making the information more accessible through interactivity and gamification. Working together with creative agencies he implemented interactive multimedia stations for Neues Historisches Museum, Frankfurt/Main, made a kiosk app for a permanent exhibition at Deutsche Nationalbibliothek, Frankfurt/Main. Besides that, he works with a wide range of clients from FinTech Startups to national research institutions, helping them to collect, process and present the business information. Pavel holds an M.Sc. in Mathematics.

Sascia Reibel

Sascia Reibel is a graphic and product designer. Her focus lays on printed matter, especially books and posters, with a strong dedication for typography. She engages in projects within the field of culture, art, and education. She studies communication design at the University of Art and Design Karlsruhe and has also studied in the design master program of the Central Academy of Fine Arts in Beijing, China. Her work has been honoured with several awards, including «Most Beautiful Swiss Books», «Most Beautiful Books from all over the world», «Bronze Nail, ADC», as well as the «Badge of Typographic Excellence, TDC New York.

Kundry Reif

Kundry Reif grew up in Vienna, Austria. Whilst studying cultural studies at university in Berlin she started to work in art collectives and galleries. Last year she went to work at the Goethe Institute in Tashkent, Uzbekistan for a year. Having never heard a lot about Central Asia before, this year abroad sparked her interest. Being back now, she misses Central Asian Kurt, and has decided that her favorite museum of all times is the Sawitsky Museum in Nukus, Uzbekistan. 

Willi Reinecke

Willi Reinecke is a film director, writer, and researcher on Lev Vygotsky's Psychology of Art at the Institute for East European Studies (Freie Universität Berlin). He is teaching at Szondi-Institute for Comparative Literature and Institute for East European Studies. He worked as assistant director of the documentary film "Familienleben" which premiered at Berlinale 2018. The film was nominated for German Documentary Film Award and was awarded prizes at Saratov Sufferings Festival (RU) and Neisse Filmfestival (GER). He's currently working on documentary films for Institute of Contemporary Art Yerevan and Deutsche Gesellschaft e.V.

Thibaut de Ruyter

Thibaut de Ruyter is a French curator and critic who lives and works in Berlin since 2001. In the last ten years, he has organized exhibitions at Kunstmuseum Bochum, Museum Kunstpalais Düsseldorf, Museum of Applied Arts in Frankfurt, HMKV in Dortmund, EIGEN + ART Lab and CTM in Berlin, Muzeum Sztuki in Łódź and CRP / in Douchy-les -Mines. One of his latest projects is a travelling exhibition co-curated with Inke Arns for the Goethe-Institut: The Frontier that calls into question the dividing line between Asia and Europe in the former Soviet states. Since 2017 this exhibition has been exhibited in St Petersburg, Moscow, Tashkent, Almaty, Krasnoyarsk (u.A.) and will open in Erevan in May 2019. His areas of interest range from new media to spiritualism to "exhibitions that are not exhibitions". Most of his projects are related to everyday, pop or underground culture. He has been the German correspondent for the French magazine artpress since 2003.

Alexandra Vetter

Alexandra Vetter is a film maker currently based in Berlin. In 2010, she achieved a Master Degree in theatre, film and media studies at the Goethe University in Frankfurt. She then specialized in creating documentary films and shorts, filming in Germany, the UK, Russia, Italy and Ireland. During her stay in Dublin from 2013-2019, she was co-organiser of an independent film group Dublin Filmmakers Collective, where she regularly held film-making events, workshops as well as film screenings. Her works have been screened at several film festivals including REFLECTA – Rethink Your World, Frankensteiner Film Festival, Open Film Festival Weiterstadt, International Theatre Festival Frankfurt am Main "Sommerwerft" and Underground Cinema Film Festival in Dublin. Her video works were shown at the Historische Museum Frankfurt, at the World Cultural Museum and the exhibition hall 1A in Frankfurt. More recently she has been exploring the topic of age and ageing.

Lioudmila Voropai

Lioudmila Voropai is a curator, art critic and media artist. She studied philosophy at the Russian State University for the Humanities (RGGU) in Moscow and New Media Art at the Academy of Media Arts (KHM) in Cologne. Her curatorial and artistic projects are mainly focused on issues related to institutional critique and fake as an artistic strategy. As an art critic, she contributes to XZ Moscow Art Magazine, Art Issue, Logos and other periodicals. She is also a translator and editor of the Russian translations of Jürgen Habermas (Legitimation Crisis), Slavoj Zizek (Parallax View), Giorgio Agamben (State of Exception), Michael Walzer (The Company of Critics) among others. Lioudmila Voropai is an adjunct professor for Media Theory and Philosophy at Karlsruhe University of Arts and Design.


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This document was last updated on March 10, 2019

5th December 2019

Another production drama


Interview with WORK HARD! PLAY HARD!

1st December 2019



20th November 2019

Wandering poetics of Central Asian mestizas


Interview with Krëlex Zentre

6th November 2019

Conversation with Julieta Aranda and Anna Kamay


29th October 2019

Where the roses grow


Interview with Almagul Menlibaeva

25th October 2019

On language of supremacy: Medina Bazargali in conversation


16th October 2019



Exhibition by Xenia Fink In Ta(r)dino 6 Baku

10th October 2019

Madina Tlostanova on decolonizing the post-Soviet, exotization and political imagination(s)


part two

26th September 2019

Madina Tlostanova on feminism, coloniality, returned pasts and reimagined futures


part one

6th September 2019

It is more important to make films queerly than to make queer films


12th July 2019

When there are no opputurnities, create your own Giardini


Asli Samadova

1st July 2019

Juggling Dinosaurs


The precariousness of motherhood in arts
Anna Kamay

24th June 2019

Interview with Elene Abashidze


14th June 2019

Unfortunately, we cannot pay for your flight and accommodation


Thibaut de Ruyter

28th May 2019

Ich liebe dich!


Antonina Stebur

17th May 2019

Interview with Anna Vahrami


23rd April 2019

Artist Portrait: Anastasia Akhvlediani


13th April 2019

Artist Portrait: Alisa Berger


Thibaut de Ruyter

21st March 2019

Faig Ahmed


Interview geführt von Ira Konyukhova und Pavel Metelitsyn

18th March 2019

There Is Sex After Soviet Union!


Irina Konyukhova

11th March 2019

Interview mit Samvel Saghatelian


Geführt von Ira Konyukhova

8th March 2019

Artist Portrait: Salome Dumbadze


4th March 2019

Interview mit Chinara Majidova


Geführt von Ira Konyukhova

26th February 2019

East Wind - Art in the Former Soviet Republics


Thibaut de Ruyter


TransitoryWhite Calling!


Feelings, sexual desires and their connection with economical and political power played an important role in the formation of the modern individual self. Our goal is to reinterpret love and understand how institutional and societal constraints shape our experiences, focusing on the unique process in the region of Eastern Europe and Central Asia


TW #2 dedicated to intimacy and anxiety, search for lost gender and emotional balance and convergence of public and private in the context of modern emotional capitalism.

We are inviting researches, art historians, philosophers and writers to share their thoughts with an international audience. We encourage you to submit the text in your native language. Beside that, we are inviting artists to submit their works that are related to the topic.



For researches, art historians, philosophers and writers:


- Main thesis of the article (500 words)
- Link to the published text
- CV


For artists:


- Artworks (10 images max.)
- short CV


Submit to


Ашық шақыру

#2 Махаббаттың ЖАҢА ТӘРТІБІ

Сезімдер, жыныстық құмарлықтар және олардың экономикалық және саяси билікпен байланысы қазіргі заманғы жеке тұлғаның өзіндік қалыптасуында маңызды рөл атқарды. Біздің мақсатымыз - Шығыс Еуропа мен Орталық Азия аймағындағы бірегей процеске назар аудара отырып, махаббатты қайта түсіну және институционалдық және әлеуметтік шектеулер біздің тәжірибемізді қалай қалыптастыратынын түсіну. №2 TW жақындық пен мазасыздыққа, жоғалған гендерлік және эмоционалды тепе-теңдікті іздеуге арналған, қазіргі эмоционалды капитализм жағдайында қоғамдық және жеке тұлғаның жақындасуына арналған. Біз өз зерттеулерімізді, өнер тарихшыларын, философтар мен жазушыларды халықаралық аудиториямен бөлісуге шақырамыз. Сізге мәтінді ана тілінде жіберуге кеңес береміз. Сонымен қатар, біз суретшілерді тақырыпқа байланысты туындыларын жіберуге шақырамыз.

Өтінішті беру мысалы Зерттеулерге, өнертанушыларға, философтар мен жазушыларға:

- Мақаланың негізгі тезисі (500 сөз)

- жарияланған мәтінге сілтеме


Суретшілер үшін:

- ArtworksArt туындылары (максимум 10 сурет)

- Портфолио

- қысқа түйіндеме

Аударған : Темірхан Дария



#2 სიყვარული ახალი წესებით

გრძნობები, ვნებები და მათი კავშირი ეკონომიკურ და პოლიტიკურ ძალაუფლებასთან, თამაშობდა მნიშვნელოვან როლს, თანამედროვე პიროვნების ჩამოყალიბებაში. ჩვენი მიზანია სიყვარულის ინტერპრეტირება და გაგება თუ როგორ აყალიბებს ინსტიტუციური და სიციალური შეზღუდვები ჩვენს ცხოვრებას. სამიზნე რეგიონს წარმოადგენს აღმოსავლეთ ევროპა და ცენტრალური აზია.

# ეძღვნება ურთიერთობებსა და შფოთს, საკუთარი თავის ამოცნობასა და ემოციური ბალანსის მიღწევას. საჯაროსა და პირადის დაახლოებას თანამედროვე ემოციური კაპიტალიზმის კონტექსტში.

ვიწვევთ, მკვლევარებს, ხელოვნებათმცოდნეებს, ფილოსოფოსებსა და მწერლებს, რათა გაუზიარონ საკუთარი ხედვები საერთაშორისო აუდიტორიას.
გარდა ამისა, ვიწვევთ მხატვრებსა და ფოტოგრაფებს რომელთა ნამუშევრებიც თანხვედრაში მოდის თემატიკასთან.

მკვლევარებისთვის, ხელოვნებათმცოდნეებისთვის, ფილოსოფოსებისთვისა და მწერლებისთვის:
- ნაშრომის მოკლე შინაარსი (500 სიტყვა)
- პუბლიკაციის ლინკი
- CV

მხატვრებისა და ფოტოგრაფებისთვის:
- ნამუშევრები ( მაქს: 310 სურათი)
- პორტფოლიო
- მოკლე ავტობიოგრაფია





Почуття, сексуальні бажання та їх зв'язок з економічною та політичною владою відігравали важливу роль у формуванні сучасного індивідуму. Наша мета - переосмислити концепцію кохання та зрозуміти, як інституційні та суспільні обмеження формують наш особистий досвід, орієнтуючись на унікальний процес у регіоні Східної Європи та Центральної Азії.

TW #2 присвячений інтимності та тривозі, пошуку втраченої гендерної та емоційної рівноваги, та конвергенції публічного й приватного в контексті сучасного емоційного капіталізму.

Ми запрошуємо дослідників, мистецтвознавців, культурологів, філософів та письменників поділитися своїми думками з міжнародною аудиторією. Пропонуємо надсилати текст рідною мовою, які згодом будуть перекладені. А також ми запрошуємо художників опублікувати свої роботи, пов'язані з темою.

Для дослідників, мистецтвознавців, культурологів, філософів та письменників:
- Основна теза статті (до 500 слів)
- Посилання на опублікований текст
- Резюме
Для художників:
- Фотографії робіт (10 зображень макс.)
- Портфоліо
- Резюме

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# 2 Սիրո նոր ենթաքերականություն

Զգացողությունները, սեռական ցանկությունները և նրանց կապը տնտեսական և քաղաքական ուժի հետ կարևոր դեր են խաղացել ժամանակակից անհատական ինքնության ձևավորման գործում: Մեր նպատակն է վերաիմաստավորել սերը և հասկանալ, թե ինչպես են ինստիտուցիոնալ և սոցիալական սահմանափակումները ձևավորում մեր փորձը ՝ կենտրոնանալով Արևելյան Եվրոպայի և Կենտրոնական Ասիայի տարածաշրջանի յուրահատուկ գործընթացի վրա:

TW # 2-ն նվիրված է ինտիմ մտերմությանը և անհանգստությանը, կորցրած սեռի և հուզական հավասարակշռության որոնման և հասարակական և մասնավորի մերձեցման ժամանակակից հուզական կապիտալիզմի համատեքստում:
Մենք հրավիրում ենք հետազոտողների, արվեստի պատմաբանների, փիլիսոփաների և գրողների, իրենց մտքերը կիսելու միջազգային լսարանի հետ: Խրախուսում ենք ձեզ ներկայացնել տեքստը ձեր մայրենի լեզվով: Նաև, հրավիրում ենք նկարիչներին ներկայացնել իրենց գործերը, որոնք կապված են թեմայի հետ:

Աշխատանքներն ուղարկել : հասցեին




Hissiyotlar, shahvoniy istaklar va ularning iqtisodiy va siyosiy kuchlar bilan bog‘liqligi zamonaviy shaxsning shakllanishida muhim rol o‘ynagan omillardandir. Bizning maqsadimiz sharqiy Yevropa va Markaziy Osiyo mintaqasidagi noyob jarayonga e'tibor qaratib, sevgiga qayta izoh berish va institutsional va ijtimoiy cheklovlar bizning tajribamizni qanday shakllantirishini tushunishdir.

2-MAVZU yaqinlik va xavotirga, yo'qolgan jinsni va hissiy muvozanatni izlashga va zamonaviy emotsional kapitalizm sharoitida jamoat va xususiylikning yaqinlashishiga bag'ishlangan.
Tadqiqotchilar, san'atshunoslar, faylasuflar va yozuvchilarni xalqaro tinglovchilar bilan fikr almashish uchun taklif qilamiz. Matnni o'z ona tilingizda yozishga da‘vat etamiz. Bundan tashqari, rassomlarga ushbu mavzuga oid o’z asarlarini taqdim etishlarini taklif etamiz.

Hujjatlaringizni ushbu manzilga yuboring:




TransitoryWhite принимает заявки на публикацию текстов и художественных работ.


Чувства, сексуальные желания и их связь с экономической и политической властью сыграли важную роль в формировании современного индивидуума. Наша цель - переосмыслить любовь и понять, как институциональные и социальные ограничения формируют наш опыт, сосредоточившись на уникальном процессе в регионе Восточной Европы и Центральной Азии.


TW № 2 посвящен интимности и тревоге, поиску утраченного гендерного и эмоционального баланса и сближению публичного и частного в контексте современного эмоционального капитализма.

Мы приглашаем исследователей, искусствоведов, философов и писателей поделиться своими мыслями с международной аудиторией. Мы просим вас отправить текст на вашем родном языке. Кроме того, мы приглашаем художников представить свои работы, связанные с темой.




Для исследователей, искусствоведов, философов и писателей:

- Главный тезис статьи (500 слов)
- ссылка на опубликованный текст
- резюме

Для художников:

- Портфолио (максимум 10 изображений)
- короткое резюме

Отправляйте до 1 декабря на


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